Zimbabwean girl popularises mbira music in Canada
Lance Chigodo Sunday Leisure
Reporter
SHE is beautiful, young and
academically gifted but is determined to make a mark not from her academic
exploits but in an artistic discipline that is completely divorced from her
educational qualifications. She prides herself in being Zimbabwean although
she is now based in Canada. She maintains a somewhat spiritual but artistic
connection to her roots.
This is the story of Evelyn
Mukwedeya who has proudly made local traditional mbira music very popular in
Canada while debunking the notion that music especially that which involves
traditional instrumentation such as mbira is the preserve of the academically
challenged and the old folks.
Unlike the majority of young people
her age who move to Europe, Mukwedeya was not quick to forget her roots as she
went on to showcase her culture through her talent in playing mbira music much
to the delight of the Canadians.
She has the nous and is probably
taking up from where Chiwoniso Maraire who was the epitome of mbira music in
the country and abroad left.
Mukwedeya did Biomedical Engineering at the University of Toronto and graduated in 2010. She is a certified supply chain professional and has worked as an analyst for a large Canadian retailer. Despite all her professional expertise she is not one to hide her origins and the things that connect her to her roots.
Mukwedeya did Biomedical Engineering at the University of Toronto and graduated in 2010. She is a certified supply chain professional and has worked as an analyst for a large Canadian retailer. Despite all her professional expertise she is not one to hide her origins and the things that connect her to her roots.

In an interview, she said she got much of the inspiration from her mother who encouraged her not to be ashamed of herself and her African identity.
Mukwedeya said as a result of the
encouragement she learnt to play mbira dzevadzimu at a very early age when she
was still based in Zimbabwe in 2003.
“I started to learn mbira dzevadzimu in my home city of Mutare in 2003. My mother thought it would be valuable for me to learn and gain an appreciation of traditional Zimbabwean music,” she said.
“I started to learn mbira dzevadzimu in my home city of Mutare in 2003. My mother thought it would be valuable for me to learn and gain an appreciation of traditional Zimbabwean music,” she said.
Their migration to Canada as a
family in 2004 did not mark the end of her love for mbira or dent her spirits,
instead she became more determined and kept on playing mbira at her spare time
as there were no more mbira teachers in Canada as they were in Zimbabwe.
She said she started playing mbira
professionally in 2008 when she was playing for a group called Masaisai in
Toronto which played Chimurenga music.
But when the group split in 2011 she and her former group members Rainos Mutamba and Memory Makuri, a former backing vocalist for the Chimurenga music guru Thomas Mapfumo, formed a new group called Nhapitapi.
But when the group split in 2011 she and her former group members Rainos Mutamba and Memory Makuri, a former backing vocalist for the Chimurenga music guru Thomas Mapfumo, formed a new group called Nhapitapi.
The formed band however grew more
contemporary and they adulterated pure mbira music with the addition of more
band members that included her brother Samuel Mukwedeya on guitar, Tichaona
Maredza on drums and Tichaona Gombiro on bass guitar.
Nhapitapi has performed at several
events in Canada such as the local television programme Toronto has got talent,
Songs of my mother concert and high profile festivals such as the Habari
festival. They also took part in a festival in the United States of America
called Zimfest.
Besides her performance with
Nhapitapi, Mukwedeya also gets hired individually at some occasions and
sometimes by artistes who need to incorporate mbira music into their music as
evidenced by her recent collaboration with a Sudanese rapper Emmanuel Jal and
an Afro-Canadian vocalist Andrew Craig at the Bob Marley tribute concert.
Mukwedeya has shared the stage with
big local artistes now based abroad who are also raising the country’s artistic
flag high through music and dance such as Stella Chiweshe and Thomas Mapfumo.

She says her musical inspirations
and icons are the local mbira groups Mbira dzenharira, Master Chivero, Jonah
Sithole and Bhundu boys. Music from all over the world also influences the
lyrical and instrumentation content of her music since Toronto is a
multi-cultural city.
Mukwedeya said people who usually
attend their shows find mbira music relaxing, entertaining and divine adding
that the encouraging attendance by fellow Zimbabweans at their shows also keeps
them going.
“It has always been very encouraging
to see Zimbabweans attending our mbira shows. There are quite a number of them
this side and in other European countries who still identify very well with
traditional mbira music,” she said.
She also said some of the Western
audiences took the opportunity to hold the instrument for the first time in
their lives while most Zimbabweans cannot believe that mbira music is being
enjoyed and appreciated outside the country’s borders in countries as far away
as Canada.
Mukwedeya has emerged as one young
lady who is very passionate about her identity and culture and has set a good
example to many young Zimbabweans locally and abroad that culture should be
treasured.
She said people should always
connect with their roots and be proud of their artistic prowess as it also
helps define who they are as opposed to taking pride in other people’s
languages and culture at the expense of their own.
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